We Believe ...
We believe music is more than theory — it's magic.
We believe in sketches, sparks, and scores that send shivers down your spine.
We believe that intervals aren’t just distances — they’re spells.
We believe your ideas matter.
We believe that your magic holds the power to inspire others.
We believe in musical freedom.
We believe in writing boldly.
We believe the world doesn’t need more generic tracks.
We believe composing should feel like a discovery, not like passing a test.
We believe that intuition and craft can walk hand in hand.
We believe in the Circle of Interval Magicians — our community.
We believe that originality is a skill you can master.
We believe you’re closer than you think.
We believe that even a straightforward C major triad can hold some magic.
We Value And Stand For ...
Creative Freedom
No fluff, no fog. With a guided path beneath your feet, your mind is free to create. Just let the creativity flow.
Originality
Music that doesn’t sound like everyone else — because you aren’t everyone else.
Community over Competition
The Circle of Interval Magicians — a place where composers lift each other up, not show off.
Lifelong Mastery
We’re all still learning — transformations are not instant. It takes time, and you can't cheat time and experience.
Taking Action
Composing with magic is like building a muscle — the more you create, the stronger your voice becomes.
Timeless Concepts
We don’t chase musical trends — instead, we unlock timeless concepts that make your music shine in any genre or style.
About Frank – The Composer Who Started Decoding The Magic
Hi, I’m Frank. I’m a fellow music creator, just like you, and I help other composers unlock the deeper forces behind great music by showing them how to think in intervals, not just notes.
But this didn’t come from textbooks or shortcuts. It came from experience—moments of joy, frustration, breakthroughs ... and a few unexpected encounters that changed everything.
Let me take you back to where it all began.
The First Spark
It was 1993. I was 11 years old, standing nervously in line to see Jurassic Park. I was technically too young to watch it, but something
pulled me there anyway. Something bigger than dinosaurs. And once the film started—with those massive sounds, those roaring creatures, that music—something inside me shifted. I didn’t know the name “John Williams” back then. But I knew one thing:
I want to do that. I want to tell stories with sound.
It wasn’t just a movie. It was a moment of awakening.
Chasing the Outer Magic
For a while, I chased what many young artists do: success, fame, money. I wrote music for games and publishers, studied composition and lived in a tiny attic apartment in Cologne.
I wasn’t rich, but I could live off music. That felt like a small kind of magic already. I composed obsessively and dove into every tool I could find—recording, sampling, mixing, sound design. And while my skills grew, I started to feel a quiet question bubbling up:
“What kind of composer am I really? What is my voice?”
That’s when the journey turned inward.
Finding the Hidden Map
In 2015, I heard about a workshop in Vienna led by Thomas Chase Jones, a composer known for his work in animation. I felt called to go. I didn’t know why, but I trusted the pull.
What I found there changed everything.
Instead of sticking to the usual theory, TC (as we call him) shared his real method—a deep, powerful way of composing based on intervals, not just scales and chords. It was unfamiliar. It was intense. And it was exactly what I had been missing.
During breaks, I helped fellow students understand it. I simplified it, rephrased it, and made it accessible. And something clicked again—not just in the music, but in me.
“This is your path,” something whispered.
TC saw it too. The next year, I was no longer a student—I was standing beside him, teaching.
Turning Practice into Power
What I learned from TC wasn’t just technique—it was a new lens. A new way to see the invisible structure of music, to shape emotion with precision, and to compose with purpose.
And now, I pass that lens on to others.
Today, I run MITA – the Music Interval Theory Academy, where composers from around the world learn to compose faster, more originally, and with more confidence, using interval-based thinking.
Your Turn
If your music feels stuck in patterns …
If you’ve mastered the rules, but still struggle to find your voice …
If you know there’s something deeper—something magical—that you haven’t tapped into yet …
Then you’re exactly where you need to be.
This isn’t about learning more. It’s about learning to see differently.
Welcome to the deeper layer of composition.
Let’s unlock it together.
"Thanks to MITA, I now can work very quickly in notation!"
Mike Caral - Film Composer
"I love this course, and what it has done for me!"
Nathanael Iversen - Entrepreneur & Composer
"Frank has a wonderful way of explaining!
5 stars for sure!"