"I first met Frank, and he introduced me to the world of MITA. Listening to the compositions of other students immediately made me realize, that’s what I was missing—a new way of thinking about music. It wasn’t about breaking the rules, but creating with a new set of rules, and it completely changed how I approached composition.

MITA has truly changed my musical life, from how I write to how I listen and even how I play. If you’re considering joining, I can’t recommend it enough. It’s a transformative experience and absolutely worthwhile."

"One of the biggest lessons I’ve learned through MITA is how to find my unique voice in composition. So many programs focus on mimicking great composers, but MITA is different. It teaches you how to create music that stands out, which is essential in today’s competitive landscape.

MITA isn’t for everyone—it’s a challenging and different way of thinking—but it’s absolutely worth the effort. The concepts start clicking around the sixth or seventh module, and from there, it becomes much easier. For anyone serious about improving their composition skills and creating truly unique music, I highly recommend MITA."

"From the very first lesson with MITA, I knew this was something I could dive into. Even my early attempts at writing pieces sounded great, and I thought, "This is fantastic!" It’s given me a clear way to start, develop sketches, and create pieces I’m genuinely proud of.

A good friend of mine, Dan Selsick, a seasoned composer, suggested I check out MITA. He said their approach was both familiar and refreshingly different. I decided to trust his advice, and it’s been a game-changer. 

For anyone interested in learning how to compose, I’d say what Dan told me: MITA is an excellent way in."

"One of the most rewarding parts of MITA for me has been the orchestration course. The wealth of information it provides is incredible, and it’s helped me focus on the kind of orchestral writing I’ve always wanted to explore. The composition course, in particular, opened up a whole new way of thinking—moving beyond traditional diatonic approaches to understanding how intervals relate and using that to create more interesting, innovative pieces. Instead of abandoning diatonic techniques, MITA showed me how to enhance them with interval-based concepts.

Before joining MITA, I’d never written for a full string or symphony orchestra. Now, I not only have the skills but also the confidence to do so. For me, MITA has been an eye-opening and substantial resource, offering a deep well of knowledge that continues to inspire and improve my work."

"Joining MITA completely transformed my approach to composition. I learned to internalize the sound of intervals, like a painter understands colors, which helped me develop my own unique musical voice.

If you’re looking to take your composition skills to the next level, I can’t recommend MITA enough. It’s not just about learning; it’s about discovering what makes your music uniquely yours. I’m so glad I made the leap—I know you will be too."

"For years, I tried books and other online courses, but none of them gave me the clarity I needed. Then I found MITA. I loved their free materials and approach, so I joined the course. Now, I’m learning, creating, and even participating in student meetings where we share our music.

If you’re serious about improving your composition skills, I highly recommend checking out MITA. It’s been a game-changer for me."

"When I joined MITA as a composer in training, even the first few courses provided techniques I could apply to my work for the rest of my life. Before MITA, I relied heavily on inspiration and the tonal system, which felt limiting as I expanded beyond jazz performance into composition. MITA’s interval-based approach completely changed that, giving me a systematic way to approach composition and organize musical ideas.

With MITA, I’ve learned to see music differently—understanding intervals, modes, and the overtone system in ways I never used before.

To anyone considering MITA, I highly recommend starting with the free courses. If those resonate with you, the composition and orchestration courses will exceed your expectations. There’s an incredible amount of content on the site, and it’s been one of the most valuable resources I’ve ever encountered."

"When I discovered MITA, I was intrigued because it promised to teach something I had always wanted: how to write music. And that’s exactly what it delivered. MITA’s method—gathering ideas, creating a sketch, and developing it—completely changed my approach to composing. This process not only helped me get past the blank page but also enabled me to write pieces I never imagined I could.

The course goes far beyond what a typical college music theory class teaches, even reaching graduate-level concepts, yet it’s structured so anyone can learn. Each lesson provides tools that can be applied immediately to real-world writing challenges. For me, the ability to finally get the music I hear in my head onto paper has been life-changing."

"Before discovering Interval Theory through MITA, I felt like I lacked the musical 'vocabulary' and, more importantly, the methodology to use it effectively. MITA changed that completely. Each lesson not only teaches you vocabulary but also shows you how to use it in a clear and structured way. It gives you control over your compositions, allowing you to trust your sketch and stay focused throughout the process.

Looking back, I realize how much time I could have saved if I’d learned Interval Theory earlier instead of relying solely on traditional methods. This course doesn’t promise quick results, but if you follow the steps, you will compose—and the results can exceed your expectations. I’ve seen students with almost no experience create incredible work in a short time. The environment is inspiring, and the system truly works."

"As a composer, one of the biggest challenges is knowing where to start. MITA has solved that for me. With their three-step process—gathering, sketching, and orchestrating—I always have a clear starting point and a roadmap to follow. This systematic approach to creativity has been invaluable and well worth the membership. In fact, I love the program so much I bought a lifetime membership.

For anyone curious about MITA, I highly recommend exploring their free materials, attending introductory events, and watching their YouTube videos. The community is supportive, the resources are incredible, and the knowledge you gain will change your life as a composer."

"What I appreciate most about MITA is the variety of techniques it provides to help you get started. The biggest lesson I’ve learned is that you don’t have to hold onto ideas that aren’t working. In the early stages, you haven’t invested too much time, so it’s easier to let go and refine your work.

What’s amazing is that the same techniques lead to vastly different results for each composer in the Academy. You don’t end up sounding like anyone else—which was my biggest issue with how composition was traditionally taught.

MITA has been a game-changer for me, and I recommend it to anyone who wants practical tools to enhance their creativity and write music that reflects their unique voice."

"What drew me to MITA was a desire to understand why certain music feels so fluid—like in a cartoon or action scene where everything just flows seamlessly. Before MITA, my writing process was laborious, locked into chord structures and diatonic principles. MITA gave me a new perspective, tying harmonic principles and patterns to a fresh, interval-based approach. It complemented my existing knowledge and gave me new creative capabilities.

One of the biggest changes has been my ability to compose directly in notation. Previously, I’d always play something on the piano first, then write it down. Now, I can work quickly and create music I wouldn’t have imagined before—pieces I can’t even play myself but sound great.

With MITA, I’ve found a method that aligns with my passion for imaginative, boundary-pushing music, and I’m excited to keep exploring what’s possible."

"I can’t remember exactly how I discovered MITA—probably through a YouTube video—but I instantly knew it was what I’d been searching for. It resonated deeply with me because it wasn’t about sticking to traditional thirds or fifths. Instead, it was about following what feels right and expressing myself freely through music.

For anyone who feels constrained by traditional theory or wants to explore a new way of composing, I can’t recommend MITA enough. It’s transformed how I create and connect with my music."

"After more than a year in the program, I can confidently say the work has been worth it. MITA gave me a clear methodology—gathering, sketching, and developing—that perfectly fits my logical way of thinking. This process not only gives me a sense of confidence but also ensures I can consistently achieve the results I’m aiming for.

The biggest gain for me has been learning tools and techniques that allow me to write faster while staying intentional about the emotional impact of my music. Through the lessons, I’ve learned to identify and label the emotional feel of my work—whether it’s happy, heroic, sad, or funny—which is essential for creating music that resonates, whether it’s for a concert, film, or TV. MITA has been transformative for me, and I strongly recommend giving it a try."

"The first thing I’d say about MITA is the freedom it gives me in writing. I’m no longer stuck in traditional tonalities or constrained by concepts like constant II-V-I progressions. Now, I write based on how things sound and feel, using tools like triads in ways that resonate with me, rather than adhering to rigid harmonic rules.

The quality of MITA’s courses is unmatched. They teach concepts and techniques that I’ve never encountered elsewhere, no matter where I studied. The freedom to write creatively and effectively while breaking away from traditional constraints has transformed my work, especially in scoring for film and other projects.

MITA has allowed me to find my voice as a composer, and it’s been an incredible journey of discovery and growth."

"After more than a year in the program, I can confidently say the work has been worth it. MITA gave me a clear methodology—gathering, sketching, and developing—that perfectly fits my logical way of thinking. This process not only gives me a sense of confidence but also ensures I can consistently achieve the results I’m aiming for.

The biggest gain for me has been learning tools and techniques that allow me to write faster while staying intentional about the emotional impact of my music. Through the lessons, I’ve learned to identify and label the emotional feel of my work—whether it’s happy, heroic, sad, or funny—which is essential for creating music that resonates, whether it’s for a concert, film, or TV. MITA has been transformative for me, and I strongly recommend giving it a try."

"I discovered MITA only a couple of months ago, and it has already helped me a lot in the way I compose. The concepts are clear and have enlightened my writing, my orchestration, and my way of telling stories with music.

I'm only at the beginning of the training, and I'm looking forward to studying more.

I can only recommend Frank and TC's teaching to all who wish to deepen their knowledge and perfect their art."

"Since I started studying at MITA, I realized that one of the most valuable changes I experienced refers to the creating process of music. I realized that the Academy emphasizes ways and a system to have unlimited and flawless inspiration from scratch, among many other things!

MITA showed me step by step how I can create a musical universe from zero. Now I realize that with the right steps and methodology that I learned at the Music Interval Theory Academy, I no longer have writer's block."

"I've been lucky because I had the privilege to study music at some of the best Universities available, in Boston (USA) and Los Angeles.

What I've found in MITA is the great respect for the Diatonic system and how you can add Interval Theory on top of it! This path is really fantastic because it offers the opportunity to widen your perspective as you proceed through the studies.

The teaching method inside the Academy is outstanding because it builds from the bottom up, starting with fundamentals and adding complexity on top. The "Composition From Scratch" workshop was a tremendous help to understand the creative process even better. Many thanks for all the value you provide."